Mohammad Afrough; Fathali ghashghaeifr
Abstract
Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave ...
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Nomadic woven and specifically qashqai, his most important visual art is. the authenticity of these woven materials consists of aesthetic identity(design, motif and coloring and technical (technique and dyeing). an important part of face making and identity weaves country different tribes is duty weave techniques. qashqai weaves has a wide variety of techniques that a large part of them, has lost its application or dimmed. this article is a thorough field study and in relation to the description, analysis, classification and introduction of various techniques weave it is among qashqai tribes. weave techniques is the most important element in the woven system which is the main factor in weaving a work and creation design and motifs.because without the technique, there is no handwoven. research results it's like this : the qashqai woven fabrics are divided into five layers of poudnema, taarnema, souzani, and combined, according to the technique and texture structure.the usual technique used in qashqai knitting system is includes loulbaft(half and full loul), smooth weave(smooth poudshol and smooth poudseft), twist and combined. from porzdar woven can be attentioned to carpet and gabbeh and podnema(smooth poudshol) to gelim and charkh and tanemaha(smooth poudseft) to jajim, palas, oyee, sheshe derme, jajim morakab nafi, and souzanies to davrechin(varounechinbafi), and rend(jajimgol va sibama), and combined(porzdar, smooth baft, twist baft to torkaman naaghsh(ghalibori) and ghachmeh.
